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|Series||Ou-yang Hsiu ti chih hsüeh yü ts"ung chêng|
|LC Classifications||DS751 O84 L573 1967|
|The Physical Object|
|Number of Pages||227|
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Ou-Yang Hsiu: An Eleventh Century Neo-Confucianist (Civilization of East Asia Study) [Liu James T C] on *FREE* shipping on qualifying offers. Ou-Yang Hsiu: An Eleventh Century Neo-Confucianist (Civilization of East Asia Study)Cited by: Ou-Yang Hsiu is a wonder and a delight. His poetry is fresh, simple, charming; yet richly imbued with perception, emotion, and understanding.
In this thin, wonderful volume, master poet--by way of the efforts of master translator--arrives as fresh and vital as he must have appeared in original form, years back/5(3).
The book is a literary study of one of the greatest of Chinese writers, Ou-yang Hsiu. He was a major writer in each of several genres: prose, poetry, rhapsodies, and tz'u 'songs'. The striking diversity of his work presents an opportunity to investigate how one man's literary talent is Pages: The only book-length study of Ou-yang in English is James T.
Liu, Ou-yang Hsiu: An Eleventh-century Neo-Confucianist (). While its treatment of Ou-yang as a writer is disappointing, it is a well-balanced critical biography providing thoughtful reconsideration of Ou-yang's many-sided achievements as a statesman, historian, and thinker.
This book, which is a revised version of the author's Ou-yang Hsiu ti chih-hsueh yu ts'ung-cheng () sets out to close this gap. Professor Liu begins with a brief but valuable description of the historical setting and the new forms of society and culture against which the work of Ou-yang Hsiu has to be seen to be fully appreciated.
Ou-Yang Hsiu – Tony Barnstone Ouyang Xiu is considered to be a prime example of the Chinese ideal of the multifaceted scholar official, equivalent to the Western ideal of the Renaissance man He is the author of a set of commentaries on poetics titled Mr.
The book is a literary study of one of the greatest of Chinese writers, Ou-yang Hsiu. He was a major writer in each of several genres: prose, poetry, rhapsodies, and tz'u 'songs'.
The striking diversity of his work presents an opportunity to investigate how one man's literary talent is manifested in different genres. OU-YANG HSIU. a.d. [A leading statesman, historian, poet, and essayist of the Sung dynasty.
His tablet is to be found in the Confucian temple; an honour reserved for those alone who have contributed towards the elucidation or dissemination of Confucian truth.]. Ou-Yang Hsiu (second name, Yung-shu).
Born in Luling (present-day Chi-an, Ou-yang Hsiu book Province); died Chinese writer. Representative of classical prose and one of the “eight great masters of the T’ang and Sung dynasties” (seventh through 13th centuries).
Ou-yang Hsiu held high government posts. He attacked the formalistic “parallel style. Works by this author published before January 1, are in the public domain worldwide because the author died at least years ago. Translations or editions published later may be copyrighted.
Posthumous works may be copyrighted based on how long they have been published in certain countries and areas. Additional Physical Format: Online version: Liu, Tse-chien, James, Ou-yang Hsiu.
Stanford, Calif.: Stanford University Press, (OCoLC) A book of luminous things: an international anthology of poetry Item Preview remove-circle Fisherman / Ou Yang Hsiu -- Old fisherman / Liu Tsung-Yüan -- Magnolia basin / Wang Wei -- The moment. Cavalry crossing a ford / Walt Whitman -- The mason / Aloysius Bertrand Internet Archive Books.
Scanned in China. Uploaded by Lotu Tii on June Pages: Ouyang Xiu, Wade-Giles romanization Ou-yang Hsiu, courtesy name (zi) Yongshu, literary name (hao) Zuiweng, or Liuyi Jushi, (bornMianyang, Sichuan province, China—diedYingzhou [now Fuyang], Anhui province), Chinese poet, historian, and statesman of the Song dynasty who reintroduced the simple “ ancient style” in Chinese literature and sought to reform Chinese political life.
Wing-tsit Chan (Chinese: 陳榮捷; 18 August – 12 August ) was a Chinese scholar and professor best known for his studies of Chinese philosophy and his translations of Chinese philosophical texts.
Chan was born in China in and went to the United States inearning a Ph.D. from Harvard University in Chan taught at Dartmouth College and Chatham University for most of Born: 18 AugustKaiping, Guangdong Province. OU-YANG HSIU (b. ; d. ) p.  AUTUMN. Master Ou-Yang was reading his books 1 at night when he heard a strange sound coming from the north-west.
He paused and listened intently, saying to himself: "How strange, how strange!" First there was a pattering and rustling; but suddenly this broke into a great churning and crashing.
Ou-yang Hsiu () was a Chinese author and statesman. A Confucian scholar-official, he played a distinguished role in government and also excelled as essayist, poet, and historian. His influence on the development of Sung literature was immense. Though his ancestral home was Luling, Kiangsi, Ou-yang Hsiu was born in Mienchow, in present-day.
A.D. With the completion of the T`ang dynasty, it was my design to bring this work to conclusion. I have, however, decided to include Ou-Yang Hsiu of the Sung dynasty, if only for the sake of his "Autumn", which many competent critics hold to be one of the finest things in Chinese literature.
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Ou-yang Hsiu lived in China in the eleventh century. Sign Up For Our Newsletter. We’ll let you know about new website selections, upcoming events, special offers, and more.
Over one hundred poets are represented in this bilingual edition, including many of China’s celebrated poets: Li Pai, Wang Wei, Tu Fu, Wang Po, and Ou-yang Hsiu. Poems of the Masters reflects the culture of the Sung dynasty (–), a time when poetry became the defining measure of human relationships and understanding.
Ouyang Wenzhong gong wen chao: [32 juan] / Ouyang Xiu zhuan Mao Kun pi ping Ouyang, Xiu, [ Book: ] Languages: Chinese. Stanford Libraries' official online search tool for books, media, journals, databases, government documents and more.
Ou-yang Hsiu: an eleventh-century neo-Confucianist in SearchWorks catalog Skip to search Skip to main content. Ou-yang Hsiu remarks on this fact, though he wrote before the tale was complete, and rather ingeniously explains it by saying that the artifices of war, being inexhaustible, must therefore be susceptible of treatment in a great variety of ways.
TS`AO TS`AO or Ts`ao. diffuse. Ou-yang Hsiu, writing in the middle of the 11th century, calls Ts'ao Kung, Tu Mu and Ch'en Hao the three chief commentators on Sun Tzu, and observes that Ch'en Hao is continually attacking Tu Mu's shortcomings. His commentary, though not lacking in merit, must rank below those of /5.
Ou-yang Hsiu by James T. Liu 1 edition - first published in Not in Library. Traditional China by James T. Liu 1 edition - first published in Download DAISY. Borrow Listen. Subjects. Accessible book, Civilization, Law, Law reports, digests.
Ou-yang Hsiu, the most famous of the Neo-Confucian scholars of the early Sung, once wrote a poem entitled The Drunken Old Man’s Pavilion. In it, he described the joys of watching the daily and seasonal changes in a misty pavilion on a mountain top, joys realized through the medium of Cited by: –Ou Yang Hsiu, “Green Jade Plum Trees in Spring.” Song Dynasty, th century.
Sleep comes fitfully to her now. It is her hellish time of year. Her first thought upon awakening. Five days ago was Chun’s tenth birthday and in less than a month it will be the tenth anniversary of taking her to Changsha and abandoning her.
Dawn is a. Selections of Ou-Yang Hsiu’s poetry appear in the collection “Love & Time, The Poems of Ou-Yang Hsiu,” translated by J. Seaton,Copper Canyon Press. This post is part 1 of 2. Part 1 will cover form and background.
Part 2 will cover content, and look closely at one translated poem. Background: Ou-Yang Hsiu Ou-Yang Hsiu [ ]. Ouyang Xiu (simplified Chinese: 欧阳修; traditional Chinese: 歐陽脩; pinyin: Ōuyáng Xiū; Wade–Giles: Ou-yang Hsiu) ( – Septem ) was a Chinese statesman, historian, essayist, calligrapher and poet of the Song is also known by his courtesy name of Yongshu, and was also self nicknamed The Old Drunkard 醉翁, or Householder of the One of Six 六一居士 Xìng 姓: Ōuyáng 歐陽(欧阳).
The topics examined include Confucius as a literary critic (Donald Holzman); the view of ch'i, or vital force, as a decisive element in creative writing (David Pollard); the literary theories of the eleventh-century poet and essayist Ou-yang Hsiu (Yu-shih Chen) and his contemporary Huang T'ing-chien (Adele Rickett); and the seventeenth-century Cited by: Ou-Yang Hsiu, an Eleventh-Century Neo-Confucianist Stanford: Stanford University Press, Item # [x] p., b/w front., dj (Stanford studies in the civilizations of Eastern Area).
Ou-yang Hsiu, New T’ang History, Shanghai: Commercial Press,b/11b–12, Google Scholar cited in Hajji Yusuf Chang, “The Hui (Muslim) Minority in China: An Historical Overview,” Journal of the Institute of Muslim Minority Affairs 8/1 (), : Richard Foltz.
Get this from a library. The Art of the personal essay: an anthology from the classical era to the present. [Phillip Lopate; Teachers & Writers Collaborative.;] -- "For more than four hundred years the personal essay has been one of the richest and most vibrant of all literary forms.
The Art of the Personal Essay is the first anthology to celebrate this lively, Missing: Ou-yang Hsiu. This is a short anthology of translations of classic Chinese poetry, including such favorites as Tu Fu, Wang Po, Ch'Ang Ch'ien, Ou-Yang Hsiu, Su Tung-P'o, Yuan Mei, and Li Po.
The introduction discusses some of the cultural background of the symbolism in these poems, including such symbols as the moon, flowers and dragons. Ten years ago I was a visitor at the wine jar, the moonlight white, the wind clear. Then care and worry whittled me away, time went by with astounding swiftness, and I grew old.
But though my hair has changed, my heart never changes. Let me lift the golden flagon, listen again to the old. Read this book on Questia.
Read the full-text online edition of One Hundred Poems from the Chinese (). Home» Browse» Books» Book details, Ou Yang Hsiu More Translations from the Chinese by Arthur Waley  and was known for his numerous translations of such works as the Tale of Genji, the Pillow Book of Sei Shonagon, and Monkey (Journey to the West).
Title Page Contents Introduction Ch‘u Yüan Ou-Yang Hsiu Autumn. On noise ; Asthma ; Scipio's villa ; Slaves / Seneca -- Consolation to his wife / Plutarch -- Hateful things / Sei Shonagon -- Essays in idleness (selections) / Kenko -- Pleasure boat studio / Ou-Yang Hsiu -- Of books ; Of a monstrous child ; Of some verses on Virgil / Michel de Montaigne -- Of greatness / Abraham Cowley -- Nicolini and the lions ; An hour or two sacred to sorrow ; Twenty-four.
The stone drums of the Chou dynasty. Stephen Wootton Bushell. - History - 46 pages. 0 Reviews. Common terms and phrases. ancient character ancient form ancient inscriptions antiquities Book of Odes bow and arrow bronze capital carp celebrated Ch'ien-lung Ch'in Chi-ku-lu Chin Chinese Chou dynasty clx chuan.
Over one hundred poets are represented in this bilingual edition, including many of China’s celebrated poets: Li Pai, Wang Wei, Tu Fu, Wang Po, and Ou-yang Hsiu.
Poems of the Masters was compiled during the Sung dynasty (–), a time when poetry became the defining measure of human relationships and : Copper Canyon Press. Read this book on Questia.
Read the full-text online edition of Gems of Chinese Literature: Prose (). Home» Browse» Books» Book details, Gems of Chinese Literature: Prose. Ou-Yang Hsiu .The Linked Data Service provides access to commonly found standards and vocabularies promulgated by the Library of Congress. This includes data values and the controlled vocabularies that house them.
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